Saturday at the annual meeting of the American Academy of
Religion and the Society of Biblical Literature I will present a paper in the Religious Experience in Antiquity section. My paper explores the ancient
rhetorical concepts of deixis and mimesis as they relate to early Christian
hymns. Specifically, I will look at how these concepts can shed some light on
Philippians 2:6-11, considered by many to be an early hymn quoted by Paul in
his letter.
One really interesting aspect of this discussion is the distinction
that some have made between what is “imaginal” and what is “fictional” in early
Christian worship. By fictional we refer to something that is not real and that
is simply made-up. By imaginal we refer to something that, even though it is
unseen, one understands it to be real. However, it is seen only in the mind of
the worshipper. A concrete example of this is the depiction in Rev 4-5 of angels
and others around the throne of God offering worship to God and to “the lamb”
(i.e. the crucified and exalted Jesus). Someone reading Rev 4-5 will not
actually see or be able to verify the reality of what is being described.
However, the reader is invited to picture the scene as one that is actually
occurring in the spiritual or heavenly realm. For one who accepts the
portrayal in Rev 4-5 as in some sense real, it is not fictional but rather imaginal. One has to use
one’s mental faculties to imagine the reality that is being portrayed.
A passage like the hymn in Phil 2:6-11 is similar in that it
invites the reader to picture the realities it describes not as though they are
made-up, but as though they are real. The first half of the hymn describes the
earthly life of Jesus including his death on the cross. That description,
though poetic, is clearly intended to communicate the author’s understanding of
Jesus’s life and death. The second half describes his exaltation and reception
of the divine name, including the worship of all creatures. This second part of
the hymn is where the concept of the imaginal world is useful. This picture of
Jesus as the exalted lord of all is not a reality that is visible in any way in
the human world. But the hymn paints this portrait of reality that the reader
is invited to accept not as fiction but as real. It is a glimpse into the
imaginal world of early Christian belief.
While this heavenly worship can only be imagined,
nevertheless there is also a concrete link between the imaginal world and the
real world. The description of heavenly worship certainly mirrors to some
extent that of the worship of the early Christians through the confession,
“Jesus Christ is Lord.” If, according to Phil 2:6-11, every knee in heaven, on
earth, and under the earth will eventually bow in acknowledgement of Jesus, and
every tongue will eventually confess his lordship, the early Christians were
already participating in that reality. In fact, as they recited this hymn (if
it was a hymn that they recited), then they would actually be confessing that
“Jesus Christ is Lord” even as they were describing an imaginal scene of
heavenly worship. In their experience of worship they were participants in this
unseen reality. This appears to be one way that early Christian hymns bridged
the conceptual space between the earthly and the divine.
It is this connection between the real and imaginal worlds
that the concepts of deixis and mimesis can help to tease out. I’m looking
forward to some good discussion around this topic next weekend and I'll post some further thoughts soon.
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