New Book on Early Christian Worship

I am pleased to announce that my third book, New Testament Christological Hymns: Exploring Texts, Contexts, and Significance, is being released this summer on Aug 7 by IVP Academic. Click here for the link to the publisher’s page. Focusing on the passages in the New Testament that describe Jesus in a hymnic style, this book touches on early Christian worship, the Greco-Roman and Jewish cultural contexts of the New Testament, and the development of early Christian belief. Comparing these early Christian compositions to other first century expressions of hymnic praise helps provide new perspective on the significance of these fascinating and rich passages. It also gives us a lot to think about for contemporary worshipers of Jesus. Please check out the web site and see what you think.

If you were to ask me for a little more detail about what the book is about, here is what I would say:

This is a book about worship in the New Testament in which I show that praise of Jesus uses some of the same language that was used in praise of the Roman emperor, in part, to emphasize that Jesus was greater than the emperor. This language, which just sounds religious to us (savior, Lord, son of God), actually had very significant political implications. To worship Jesus in this way was to affirm a view of reality that was counter-cultural and anti-imperial. But this worship of Jesus did not arise from nowhere; it draws on a long tradition of Jewish resistance poetry that can be traced back through to some of the oldest poetry of the Hebrew Bible. It also draws on prophetic promises of divine renewal that were still alive in first century Judaism. So in the book I argue that we should seek to understand worship passages in the New Testament in light of their interaction with these larger cultural factors. When we do so we gain new insight into some of the richest passages in the New Testament and also into what the earliest worship of Jesus was about. And, if we take them seriously, there is a challenge for modern Christians in terms of how we engage with our culture and with the prevailing political powers today.

The book is currently available for pre-order at a discount on the IVP Academic site as well as on Amazon, and will ship on Aug 7, 2018.

The Cross in the Earliest Christian Hymns

The singing of psalms and hymns is a a practice which goes back to the very earliest Christian communities. Growing out of the model of Jewish worship and influenced as well by the practices of hymn-writing in the Greco-Roman world, Christians in the first century wrote hymns in honor of Jesus and recited them in their worship gatherings. As we approach Holy Week and consider the passion and crucifixion of Jesus, I wondered what the earliest hymns had to say about the cross of Christ. Did they mention it and, if so, in what way?

Source: MercyFoundation.com.au

Though it is not possible to reconstruct one standard set of specific words and rituals of early Christian worship for the first and second centuries, the New Testament does provide us some very interesting material to work with. The earliest texts that can be called “hymns” are found embedded in the New Testament: Phil 2:6-11, Col 1:15-20, and John 1:1-17. Each of these passages reflect the features of ancient hymnody. Even though we don’t know exactly how they were used in worship, they certainly give us a glimpse into what praise of Jesus included. And they each refer to the crucifixion either directly or indirectly as we will see.

 

Reading Phil 2:6-11 with an eye for the crucifixion it is clear that the cross is mentioned at a pivotal place in the hymn: the precise center. In this way the cross marks not only the center of the hymn but also the turning point. Prior to the mention of the cross, the hymn describes the downward trajectory of the subject, Jesus. After the mention of the cross, the hymn describes an incredible upward trajectory of exaltation.

Who, existing in the form of God,

did not consider equality with God a thing to be seized,

but emptied himself, taking the form of a slave,

being born in human likeness.

And being found in appearance as a human, he humbled himself,

becoming obedient unto death—

even death on a cross.

Therefore God highly exalted him,

and gave him the name that is above every name,

that at the name of Jesus every knee should bow

in heaven and on earth and under the earth,

And every tongue confess

that Jesus Christ is Lord

to the glory of God the Father. (Phil 2:6–11)

What is remarkable in the first century context was that a hymn of praise would celebrate something so horrible and shameful as the crucifixion. By including this in the hymn, the hymn-writer is making a claim about Jesus which goes entirely against the then-current cultural values. Rather than celebrating Jesus’s power or authority or leadership or eloquence, and brushing over any cause for embarrassment, the hymn actually highlights his humility, obedience, and self-sacrifice to the point of death. And in this way, the death of Jesus is remembered as a definition characteristic of Jesus’s life of obedience to God. It is also then offered as a model for believers.

One additional factor stands out. In a context in which Rome was the dominant political force in the world and in which that force was exercised by threat of death to those who opposed its rule, the cross was a symbol of Rome’s domination. In that very same context, it is remarkable that a Christian hymn writer would use that same symbol to demonstrate the supremacy of Christ. New Testament scholar Stephen Fowl explains it this way: “If Christ’s life was freely offered up to God in obedience, then although Rome can take the life, Rome cannot make Christ its victim. Ironically, they become unwitting agents in God’s economy of salvation” (Philippians [2005], 99).

 

And in this light we can really appreciate the way in which the cross represents a reversal: a reversal of values (the values of humility and obedience are exalted over self-seeking), a reversal of power (the seemingly unstoppable Roman empire exercising its brutal force is unknowingly furthering God’s plan), and a reversal that reveals the man Jesus as somehow the divine lord, receiving the homage of all creatures.

 

With the cross in the Philippian hymn as a starting point, it will be interesting to see what the emphasis is in the Colossian hymn and in John’s hymnic prologue. Comparing the three may give us some deep insights into the importance of the cross to the earliest Christians, those for whom the crucifixion was an event in the recent past. I'll turn to the Colossian hymn in my next post.

The Imaginal World of Early Christian Hymns

Saturday at the annual meeting of the American Academy of Religion and the Society of Biblical Literature I will present a paper in the Religious Experience in Antiquity section. My paper explores the ancient rhetorical concepts of deixis and mimesis as they relate to early Christian hymns. Specifically, I will look at how these concepts can shed some light on Philippians 2:6-11, considered by many to be an early hymn quoted by Paul in his letter.

One really interesting aspect of this discussion is the distinction that some have made between what is “imaginal” and what is “fictional” in early Christian worship. By fictional we refer to something that is not real and that is simply made-up. By imaginal we refer to something that, even though it is unseen, one understands it to be real. However, it is seen only in the mind of the worshipper. A concrete example of this is the depiction in Rev 4-5 of angels and others around the throne of God offering worship to God and to “the lamb” (i.e. the crucified and exalted Jesus). Someone reading Rev 4-5 will not actually see or be able to verify the reality of what is being described. However, the reader is invited to picture the scene as one that is actually occurring in the spiritual or heavenly realm. For one who accepts the portrayal in Rev 4-5 as in some sense real, it is not fictional but rather imaginal. One has to use one’s mental faculties to imagine the reality that is being portrayed.

A passage like the hymn in Phil 2:6-11 is similar in that it invites the reader to picture the realities it describes not as though they are made-up, but as though they are real. The first half of the hymn describes the earthly life of Jesus including his death on the cross. That description, though poetic, is clearly intended to communicate the author’s understanding of Jesus’s life and death. The second half describes his exaltation and reception of the divine name, including the worship of all creatures. This second part of the hymn is where the concept of the imaginal world is useful. This picture of Jesus as the exalted lord of all is not a reality that is visible in any way in the human world. But the hymn paints this portrait of reality that the reader is invited to accept not as fiction but as real. It is a glimpse into the imaginal world of early Christian belief.

While this heavenly worship can only be imagined, nevertheless there is also a concrete link between the imaginal world and the real world. The description of heavenly worship certainly mirrors to some extent that of the worship of the early Christians through the confession, “Jesus Christ is Lord.” If, according to Phil 2:6-11, every knee in heaven, on earth, and under the earth will eventually bow in acknowledgement of Jesus, and every tongue will eventually confess his lordship, the early Christians were already participating in that reality. In fact, as they recited this hymn (if it was a hymn that they recited), then they would actually be confessing that “Jesus Christ is Lord” even as they were describing an imaginal scene of heavenly worship. In their experience of worship they were participants in this unseen reality. This appears to be one way that early Christian hymns bridged the conceptual space between the earthly and the divine.

It is this connection between the real and imaginal worlds that the concepts of deixis and mimesis can help to tease out. I’m looking forward to some good discussion around this topic next weekend and I'll post some further thoughts soon.